What the hell is with that music?
I really liked it. I liked it better back when it was called Beavis and Butt-Head, but no, really, it sucked. Honestly, when dealing with a situation as stagnant as two characters staring into the camera the script must be stronger. Don't get me wrong, it is entirely possible to have a wonderful cartoon with minimal movement, but this isn't one of them. 1. Work on the script. 2. Either change the physical appearances or throw something in acknowledging Beavis and Butt-Head as a major inspiration, otherwise it's just sad (even an end credit would suffice). 3. Choose a sound track that actually fits the mood. Take this advice, please. It also might be wise to move the eyes away from a direct stare. When a character confronts the audience (as with a direct stare) it breaks what is called the "fourth wall." This is almost always a bad thing. This makes the audience uneasy and prevents them from having a purely spectatorial prespective. The audience is forced to be a part of the production and in the case of this cartoon, it is not the intention.